Why is there a disgusting new font on Quora?

You mean, the font announced with a literal gong within Quora?

Instagram post by Quora • Feb 11, 2017 at 2:28am UTC

quora: Ringing the gong! One of our oldest traditions for product launches–this time we’re celebrating our new custom typeface [math]unicode{x1F514}unicode{x1F514}unicode{x1F514} [/math]#quora

[Why yes, Quora does use emojis on Instagram—not em-dashes, though.]

Of course this has been covered off with great erudition by Martin Silvertant: Martin Silvertant’s answer to Why is there a disgusting new font on Quora?

In conclusion, Quora has not introduced a disgusting new typeface. Rather, they are using the typeface they chose incorrectly. Quora has done amazingly by using Tiempos Text for body text, but they need some guidance in establishing a harmonious, coherent typographic system for the website.

Quora Design Team. “Guidance in establishing a harmonious, coherent typographic system for the website Sold Separately.”

Why isn’t Susan James active on Quora anymore?

If you go through her log, you will notice that Susan’s activity is intermittent. She posts for a few days, then is absent for months. In fact, her latest period of posting was her most protracted, and the first in which she posted on more than one topic.

Her being absent, in any case, has plenty of precedent.

Would you listen to a 5-hour symphony?

I sat through the 1992 revival of Einstein on the Beach, which goes for five hours, and which is much more static (as hardcore minimalist music) than a symphony would be. I had no problem sitting through the entire thing—even though the opera creators imagined you could walk in and out as you pleased. And I was proud to give them a standing ovation at the end of it.

(The audience was much more restless in the 1992 revival than the 1984 revival, apparently. There was booing in the bed scene. The people booing did not stick around for the standing ovation.)

The six hour TV version of The Mahabharata (1989 film)? Not a problem.

I’ve enjoyed Mahler’s Third, which is an hour and three quarters; I’ve been puzzled by where the hell Brian’s Gothic was going, and its length at an hour and three quarters was not the reason why.

As long as the symphony is any good, I’m up for it. Just gimme a La-Z-Boy and a coffee, and I’m good to go.

What has been your best answer on Quora?

Originally Answered:

What is the single best answer you’ve ever written on Quora?

My answer after my first 1000 answers (Nick Nicholas’ answer to For Quora writers who have over 1000 answers: What is your favorite answer you have written?) is still my answer now:

Nick Nicholas’ answer to How can one summarize the Watergate scandal to a kid?

Once upon a time, there was a president called Dick.

No, that really was his name.

Why are you laughing?

Dick was very clever, and worked very hard. But he was also very angry. He was very angry, because he was sad that people didn’t think he was cool. Like the other president, Jack. People thought he was cool.

It was a lot of fun. I was asked to do a follow-up with the Iran-Contra scandal, but that was actually too depressing to contemplate.

No, I haven’t done a cartoon version of the Watergate answer. Yet.

What is written on the Library of Celsus and is it still readable easily for a modern average Greek?

Well, there’s a whole bunch of writing on the Library. In order of size:

  • The four statues: ΣΟΦΙΑ ΚΕΛΣΟΥ, ΑΡΕΤΗ ΚΕΛΣΟΥ, ΕΝΝΟΙΑ ΚΕΛΣΟΥ, ΕΠΙΣΤΗΜΗ ΚΕΛΣΟΥ. “Wisdom of Celsus, Virtue of Celsus, Meaning of Celsus, Science [Knowledge] of Celsus”. False friend in “Science”, but no problem.
  • The facade: I actually got this from a Google Books publication of the inscription (“����������� ὕ�����” – ��������� GoogleAnnée Épigraphique 1968), it is faded (and reconstructed—the stuff in brackets was not legible in 1968, and the library was reconstructed in the 70s).

Τι. Ἰού[λιον Πολεμαιανὸν] ὕπατον ἀνθύπατον Ἀσίας Τι. Ἰούλιος Ἀκύλας ὁ υἱὸς κ[α]τεσκεύασεν τὴν βιβλιοθήκην [ἀπα]ρτ[ισάντ]ων τῶν Ἀκύλα κ[λη]ρ[ονόμων καθιερώσα]ντος Τι. Κλαυδίου Ἀριστίωνος Γ Ἀσιάρχου

Haven’t sighted a translation, but don’t really need to:

Tiberius Julius Polemaeanus, consul, proconsul of Asia: Tiberius Julius Aquila his son built the library, which Aquila’s heirs completed, and Tiberius Claudius Aristion three-times Asiarch dedicated.

Two things throw an educated Modern Greek speaker like me: the use of ἀπαρτίζω to mean “complete”; the word has been reborrowed into Modern Greek, but there it only means “constitute”; and the use of Γ to mean “three times” instead of “the third”.

Then there’s the more detailed inscription in the middle; see Library of Celsus Ephesus. With no spaces between the words, it’s harder to read, but it’s mostly understandable. I beg you not to ask me to do a line by line of it.

What was Clearchus’ tragic flaw?

Desmond, I have the highest of regard for you who have A2A’d me, and you have the highest of regard to me to have A2A’d me.

The problem is, I don’t even know who Clearchus is. Yes, I am actually an impostor.

But Wikipedia remedies that!

So. Clearchus of Sparta – Wikipedia, and Battle of Cunaxa – Wikipedia. I’m going to go throw in the flaws I can discern in his biography, and then identify what Classicists would zero in on as his big lesson of a tragic flaw. And I’ll pose the question to my betters: was it actually a flaw?

Born about the middle of the 5th century BC, Clearchus was sent with a fleet to the Hellespont in 411 and became governor of Byzantium, of which town he was proxenus. His severity, however, made him unpopular, and in his absence the gates were opened to the Athenian besieging army under Alcibiades (409).

Flaw 1. Being too much of a hardass in a situation that called for more common sense: being military governor of an occupied town that could easily turn itself over to a more lenient enemy. Not a tragic flaw, but certainly bad judgement.

[Recalled to Sparta, sent back to Byzantium]. When the ephors [of Sparta] learned that the citizens of Byzantium considered him a tyrant, they recalled him through a messenger that reached Clearchus while he was still in the Isthmus of Corinth. Clearchus ignored the messenger and proceeded to Byzantium, and thus he was instantly declared an outlaw by the ephors.

Flaw 2. Disobeying the orders of your superiors. Being an outlaw is well and good—if you have the means to get back on top. He didn’t, so more bad judgement.

He fought the Thracian tribes successfully, in the process gaining the unofficial support of the Greek cities that were thus relieved. Clearchus, counting on his successes to gain him back the Spartan ephors’ good graces, was ultimately disappointed in this expectation.

Flaw 3. He actually won back the favour of Byzantium and/or the neighbouring Greek colonies—but not, as he expected, the favour of Sparta. More bad judgement.

[Recruited as a mercenary by Cyrus the Younger]. Clearchus accepted not because of the money but because he knew that sooner or later he would have to face his fellow Spartans since he was still considered an outlaw by the ephors.

Not a flaw, but an outcome of Flaw 2: he didn’t have the means to get back on top, so his options were limited.

Clearchus tricking his men into staying on to fight for Cyrus in Anabasis 1.3 is not a flaw; it’s good management of an army. Sun Tzu would approve.

The infighting between Clearchus and Menon’s troops in Anabasis 1.5, when Clearchus lost his shit, I don’t count as a flaw more than usual in any headstrong commander.

(Some cutting and pasting of Wikipedia)

Cyrus then approached Clearchus, the leader of the Greeks, who was commanding the phalanx stationed on the right, and ordered him to move into the center so as to go after Artaxerxes. … Artaxerxes was in the center of his line, with 6,000 units of Persian cavalry (which were some of the finest in the world and by far superior to anything Cyrus or the Greeks could field).

So Cyrus is ordering Clearchus, commanding Cyrus’ elite mercenaries, to go after Artaxerxes’ even more elite troops. Which makes sense for Cyrus.

Clearchus refused this owing to the insecurity that the Greeks had for their right flank, which tended to drift and was undefended, as the shields were held in the left hand.

Which is a rational military precaution, I guess; but:

Clearchus, not desiring to do this – for fear of his right flank – refused, and promised Cyrus, according to Xenophon, that he would “take care that all would be well”.

Flaw 4. Fobbing off your superiors. He’s a mercenary of course, so that’s not outright treason, but it’s not going to get you rehired.

That Clearchus did not obey this order is a sign of the level of control that Cyrus had over his army, as a couple of other occasions throughout this campaign prior to the battle reveal also. This is inconsistent with military discipline, even in this day.

Flaw 5. Disobeying the orders of your superiors. Which Sun Tzu (again) explicitly approves of, if your superior is a militarily clueless king and you are a clueful general.

The Greeks, deployed on Cyrus’s right and outnumbered, charged the left flank of Artaxerxes’ army, which broke ranks and fled before they came within arrowshot.

Which means Clearchus’ gamble paid off for the Greeks.

the Greek mercenaries, who […] were heavily armed, stood firm. Clearchus advanced against the much larger right wing of Artaxerxes’ army and sent it into retreat.

Bonus! They defeated the left wing, and they defeated the right wing. That just leaves the elite centre wing, which Cyrus was to fight on his own.

Uh-oh.

However, on the Persian right the fight between Artaxerxes’ army and Cyrus was far more difficult and protracted. Cyrus personally charged his brother’s bodyguard and was killed by a javelin, which sent the rebels into retreat.

Well, that was stupid of Cyrus, and it’s not clear the Greeks could have defeated the cavalry. But Cyrus certainly didn’t.

Only the Greek mercenaries, who had not heard of Cyrus’s death and were heavily armed, stood firm. […] Meanwhile, Artaxerxes’ troops took the Greek encampment and destroyed their food supplies. Only after the battle did they hear that Cyrus himself had been killed, making their victory irrelevant and the expedition a failure.

So they defeated the left and right wings, but not the wing that mattered.

They offered their services to Tissaphernes, a leading satrap of Artaxerxes, but he refused them, and they refused to surrender to him.

Not having options. Again, a bad situation to find yourself in.

The Greek senior officers foolishly accepted the invitation of Tissaphernes to a feast. There they were made prisoner, taken up to the king and there decapitated.

Flaw 6. Accepting the proffered hand of yesterday’s enemy, who is still your enemy today. It’s what happens when you’ve run out of options though. The Greek senior officers decapitated included Clearchus, their commander. It did not include Xenophon, who took command of the mercenaries and led them back to the Black Sea.

Six flaws. Which is the tragic one?

Flaw 4–5 is the moment Clearchus is famous for: it’s why Xenophon ends up having to lead the march that is the focus of his Anabasis. And people would have sought to explain such a military failure as a character flaw in Clearchus.

Cyrus the Younger – Wikipedia characterises Clearchus’ disobeying Cyrus in terms of the character flaw we all expect in hamartia:

Clearchus, out of arrogance, disobeyed.

This random LaRouchist tract I found pinpoints a different character flaw, fear:

Clearchus had made the fatal mistake of worrying more about his own survival than about achieving victory. Had he obeyed Cyrus, and led the assault, instead of allowing Cyrus to lead the Greek forces into battle, Cyrus would have survived to become King of Persia!

All we actually know is what Xenophon says (or speculates) Clearchus did:

Clearchus, though he could see the compact body at the centre, and had been told by Cyrus that the king lay outside the Hellenic left (for, owing to numerical superiority, the king, while holding his own centre, could well overlap Cyrus’s extreme left), still hesitated to draw off his right wing from the river, for fear of being turned on both flanks; and he simply replied, assuring Cyrus that he would take care all went well.

The fobbing off could be arrogance, and the hesitancy could be genuine fear; and both of them would be tragic flaws. In the end, Clearchus’ gamble paid off tactically, and success overrules all flaws—but it did not pay off strategically, because Artaxerxes actually won (and left Clearchus with no way out). Clearchus not going after the centre flank looks like yet another error in judgement—a panicked caution to complement his wonted rashness. Bad judgement to me sounds like a flaw more consistent with Clearchus’ earlier career.

But I have to say, I’m not ruling out that Clearchus’ decision was militarily sensible— especially if he was more interested in keeping his Greek army alive than his employer. Wikipedia gives a tactical constraint which Xenophon knew, but did not make explicit: “the insecurity that the Greeks had for their right flank, which tended to drift and was undefended, as the shields were held in the left hand.”

So this question should go to someone who knows both their Xenophon, and their military tactics.

Why has Quora taken out the ‘followers/people you know’ section on someone’s profile?

Why does Quora do anything?

At a speculation: several of Quora’s recent UX changes have worked to undermine the social media nature of Quora, which Quora likely feels is inimical to its mission as an expert forum. Removing visibility of upvotes in the feed was clearly one. Removing the “follows you” badge for two weeks was another. Removing MVW listings in profiles was a third.

And this is a fourth: Quora (I’ll guess) does not want you to follow users because of who you follow in common, but only because of the pristine quality of their answers, which you will have carefully evaluated one by one (since you also can’t use a shortcut like MVW as readily).

By what process(es) do complex inflection systems form in natural languages? What influences how they form?

There are languages with clean, atomic, nuggety units of meaning as separate words: isolating languages like Chinese and (mostly) English.

There are languages with suffixes as well as words, where those suffixes are still, for the most part, clean, atomic, easy to detect, and easy to take apart: agglutinative languages like Turkish.

And then you have horrid messy languages, where the inflections are laborious to learn, have only the faint traces of pattern, and where an inflection suffix often ends up conveying two or three grammatical categories at once. Fusional languages. Like most of the old Indo-European languages, and most of the new Eastern Indo-European languages.

There’s a hypothetical cycle (or rather spiral) of Isolating > Agglutinative > Fusional … > Isolating.

Assuming that fusional languages came from something, that there is a different type that they draw from, that type would have to be agglutinative: inflections going from clean and discrete, to messy and mooshed together. What perverse, counterintuitive force would make that happen?

Well, language change is often a messy compromise between two contrary forces; in theory it has to be, because we know that language varies and does not uniformly end up at the same endpoint. There are forces pushing it in one direction; there clearly have to be forces pushing it in the opposite direction, or else all language would converge at the endpoint of that first direction.

There is a force pushing language to be clearer: more communicative, easier to learn, more iconic, clearer in structure, more logical. That force would keep language agglutinative.

The force that usually ends up pushing in the opposite direction is the force pushing language to be easier: in particular, easier to utter. It’s phonetics.

So the old Germanic i-plurals make sense: one fōt ‘foot’, many fōt-i; one mūs ‘mouse’, many mūs-i. All very clean.

Until people start making those plurals easier to pronounce.

  • fōti > föti > föt > fēt > feet
  • mūsi > müsi > müs > mīs > mice

One foot, two feet makes no sense; neither does one mouse, two mice. But they used to make sense. And the changes can all be explained as regular sound changes, that make the words easier to pronounce. (That plus the Great English Vowel Shift.)

It’s the same with those complex inflections of classical languages. Those complicated verbal flexions of Ancient Greek do kind of suggest patterns; in fact, if you look at the fine print of classical grammars, you will see a section where the verb endings are taken apart letter by letter to make sense of them, in a way that tells you they used to be agglutinative. (That plus Indo-European e/o ablaut.)

But to get from that proto-Greek agglutinative pristine niceness, to the mess of Classical Greek, you go through a bunch of sound changes—many of them to do with smashing vowels together into new vowels. Dropping s between vowels is only the most irritating of those sound changes. (So irritating, Modern Greek ended up undoing it: Proto-Greek *lyesai > *lyeai > Classical Greek lyēi ‘thou art unbound’—and notice eai > ēi; Modern Greek linese < *ly-n-esai ‘you’re untied’.)

Answered 2017-04-26 · Upvoted by

Steve Rapaport, Linguistics PhD candidate at Edinburgh. Has lived in USA, Sweden, Italy, UK.