Why is there a disgusting new font on Quora?

You mean, the font announced with a literal gong within Quora?

Instagram post by Quora • Feb 11, 2017 at 2:28am UTC

quora: Ringing the gong! One of our oldest traditions for product launches–this time we’re celebrating our new custom typeface [math]unicode{x1F514}unicode{x1F514}unicode{x1F514} [/math]#quora

[Why yes, Quora does use emojis on Instagram—not em-dashes, though.]

Of course this has been covered off with great erudition by Martin Silvertant: Martin Silvertant’s answer to Why is there a disgusting new font on Quora?

In conclusion, Quora has not introduced a disgusting new typeface. Rather, they are using the typeface they chose incorrectly. Quora has done amazingly by using Tiempos Text for body text, but they need some guidance in establishing a harmonious, coherent typographic system for the website.

Quora Design Team. “Guidance in establishing a harmonious, coherent typographic system for the website Sold Separately.”

Why isn’t Susan James active on Quora anymore?

If you go through her log, you will notice that Susan’s activity is intermittent. She posts for a few days, then is absent for months. In fact, her latest period of posting was her most protracted, and the first in which she posted on more than one topic.

Her being absent, in any case, has plenty of precedent.

Would you listen to a 5-hour symphony?

I sat through the 1992 revival of Einstein on the Beach, which goes for five hours, and which is much more static (as hardcore minimalist music) than a symphony would be. I had no problem sitting through the entire thing—even though the opera creators imagined you could walk in and out as you pleased. And I was proud to give them a standing ovation at the end of it.

(The audience was much more restless in the 1992 revival than the 1984 revival, apparently. There was booing in the bed scene. The people booing did not stick around for the standing ovation.)

The six hour TV version of The Mahabharata (1989 film)? Not a problem.

I’ve enjoyed Mahler’s Third, which is an hour and three quarters; I’ve been puzzled by where the hell Brian’s Gothic was going, and its length at an hour and three quarters was not the reason why.

As long as the symphony is any good, I’m up for it. Just gimme a La-Z-Boy and a coffee, and I’m good to go.

By what process(es) do complex inflection systems form in natural languages? What influences how they form?

There are languages with clean, atomic, nuggety units of meaning as separate words: isolating languages like Chinese and (mostly) English.

There are languages with suffixes as well as words, where those suffixes are still, for the most part, clean, atomic, easy to detect, and easy to take apart: agglutinative languages like Turkish.

And then you have horrid messy languages, where the inflections are laborious to learn, have only the faint traces of pattern, and where an inflection suffix often ends up conveying two or three grammatical categories at once. Fusional languages. Like most of the old Indo-European languages, and most of the new Eastern Indo-European languages.

There’s a hypothetical cycle (or rather spiral) of Isolating > Agglutinative > Fusional … > Isolating.

Assuming that fusional languages came from something, that there is a different type that they draw from, that type would have to be agglutinative: inflections going from clean and discrete, to messy and mooshed together. What perverse, counterintuitive force would make that happen?

Well, language change is often a messy compromise between two contrary forces; in theory it has to be, because we know that language varies and does not uniformly end up at the same endpoint. There are forces pushing it in one direction; there clearly have to be forces pushing it in the opposite direction, or else all language would converge at the endpoint of that first direction.

There is a force pushing language to be clearer: more communicative, easier to learn, more iconic, clearer in structure, more logical. That force would keep language agglutinative.

The force that usually ends up pushing in the opposite direction is the force pushing language to be easier: in particular, easier to utter. It’s phonetics.

So the old Germanic i-plurals make sense: one fōt ‘foot’, many fōt-i; one mūs ‘mouse’, many mūs-i. All very clean.

Until people start making those plurals easier to pronounce.

  • fōti > föti > föt > fēt > feet
  • mūsi > müsi > müs > mīs > mice

One foot, two feet makes no sense; neither does one mouse, two mice. But they used to make sense. And the changes can all be explained as regular sound changes, that make the words easier to pronounce. (That plus the Great English Vowel Shift.)

It’s the same with those complex inflections of classical languages. Those complicated verbal flexions of Ancient Greek do kind of suggest patterns; in fact, if you look at the fine print of classical grammars, you will see a section where the verb endings are taken apart letter by letter to make sense of them, in a way that tells you they used to be agglutinative. (That plus Indo-European e/o ablaut.)

But to get from that proto-Greek agglutinative pristine niceness, to the mess of Classical Greek, you go through a bunch of sound changes—many of them to do with smashing vowels together into new vowels. Dropping s between vowels is only the most irritating of those sound changes. (So irritating, Modern Greek ended up undoing it: Proto-Greek *lyesai > *lyeai > Classical Greek lyēi ‘thou art unbound’—and notice eai > ēi; Modern Greek linese < *ly-n-esai ‘you’re untied’.)

Answered 2017-04-26 · Upvoted by

Steve Rapaport, Linguistics PhD candidate at Edinburgh. Has lived in USA, Sweden, Italy, UK.

What are some beautiful Greek names for a girl?

I’m going to go all contrarian like Evangelos Lolos did. Way too much antiquity here.

Special shoutout to John Salaris, who also went with two overtly modern names: Panagiota (Greek equivalent of Madonna), and Argyro “Silver”.

Those names ending in –o are particularly delicious. If they aren’t truncations of other names (Βαγγελιώ < Evangeline, Βαλάντω < Chrysovalantes, Δέσπω < Despina, Λενιώ < Helen), they are often names of precious substances or things, suffixed with an –o: Αστέρω “Star”, Διαμάντω “Diamond”, Κρυστάλλω “Crystal”, Ζαφείρω “Sapphire”, Ζαχάρω “Sugar”.

Greeks like to tell themselves they are a continuation of Ancient Greek names like Sappho. Hence spelling them with an omega. But if they were, they wouldn’t sound so decidedly hayseed, and be snobbed off by so many Greeks.

The likeliest derivation of that -o? No surprise there. Slavonic vocatives; cf. Bulgarian babo “grandmother (vocative)”, which has been borrowed into Greek as μπάμπω.

Yes, they’re a contrarian choice. But I still think they are charming.

What does your happiness routine involve? What kinds of things do you routinely do to keep your sanity, or to treat yourself to something nice?

I don’t do enough of this, especially right now. But I’m more of an introvert than I like to think, and I’m happiest when I’m walking down a street, late at night on my lonesome; or (as tonight) when I stay back in the office, in the quiet, and with the lights off. It’s calm. I miss calm. Calm heals.

When I was asked to actually come up with a Happy Place in therapy (yes, they actually do do that), I came up with Mezedakia. The only decent Greek food place in Greektown, Melbourne. Serving Greek home cooking, with smiling waitstaff who know to bring me a rakomelo (honey and raki), good rebetika playing on the sound system, and overlooking from afar the poseurs and buzz of Eaton Mall. (Well, it was the only decent place; Mykonos Taverna is a second now, with both good atmosphere and good food, and live if delightfully out of tune music.)

What has been your best answer on Quora?

Originally Answered:

What is the single best answer you’ve ever written on Quora?

My answer after my first 1000 answers (Nick Nicholas’ answer to For Quora writers who have over 1000 answers: What is your favorite answer you have written?) is still my answer now:

Nick Nicholas’ answer to How can one summarize the Watergate scandal to a kid?

Once upon a time, there was a president called Dick.

No, that really was his name.

Why are you laughing?

Dick was very clever, and worked very hard. But he was also very angry. He was very angry, because he was sad that people didn’t think he was cool. Like the other president, Jack. People thought he was cool.

It was a lot of fun. I was asked to do a follow-up with the Iran-Contra scandal, but that was actually too depressing to contemplate.

No, I haven’t done a cartoon version of the Watergate answer. Yet.